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	<title>MikePadgett.com &#187; dillon</title>
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	<description>Articles, reviews, travel, design, literature and more written by Mike Padgett, an Information Designer in Brussels</description>
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		<title>Crash</title>
		<link>http://www.mikepadgett.com/reviews/film/crash/</link>
		<comments>http://www.mikepadgett.com/reviews/film/crash/#comments</comments>
		<pubDate>Tue, 27 Feb 2007 22:13:15 +0000</pubDate>
		<dc:creator>Mike Padgett</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[dillon]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[haggis]]></category>
		<category><![CDATA[los angeles]]></category>
		<category><![CDATA[oscar]]></category>
		<category><![CDATA[Peña]]></category>

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		<description><![CDATA[This ensemble drama about racial prejudice just manages to avoid the risk of oversimplification.]]></description>
			<content:encoded><![CDATA[<div class="imgright"><img width="200" height="133" src="/legacy/images/film/crash.jpg" alt="Provocation can be a dangerous thing: Crash" /></div>
<ul class="filmdata">
<li>Director: Paul Haggis</li>
<li>United States, 2004</li>
<li><img width="96" height="18" src="/legacy/images/film/stars_4.gif" alt="4 stars out of 5" /></li>
</ul>
<p>Paul Haggis is one of those people who was obviously born to make movies. Already a decorated screenwriter of note, his mainstream directorial debut landed Best Picture, Best Screenplay and Best Editing at the Oscars.</p>
<p>Choosing Los Angeles to tell a series of interrelated stories (see also: <em>Magnolia</em>, <em>Short Cuts</em>), Haggis&#8217; defining theme is the cause and effect of racial prejudice.</p>
<p>Some characters and their stories are less effective than others: Chris Bridges&#8217; Anthony is rather too glib, Brendan Fraser&#8217;s Rick Cabot is simply there to glue a couple of stories together and his wife (Sandra Bullock) leaves it very late to make a useful contribution to the narrative. On the whole though, <em>Crash</em> is an emotionally powerful ensemble drama and hopefully a precedent for Paul Haggis as a director.</p>
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