Jaume I of Aragó was one of Barcelona’s many notable figures. Descended from French and Byzantine nobility, his exotic origins were matched by an illustrious childhood spent in the thick of the Occitan struggles.

The thirteenth was the century in Europe that instigated the beginnings of a consolidation of power from which Jaume would personally profit and which in the long term would synthesise many of the nation states we know today.

During his reign however, Jaume strived hard for independence. His county of Barcelona, for example, which had been endowed four centuries earlier by Charlemagne, he divested properly and finally from France.

He also invaded the Balearics, wresting control from the Moorish taifas, and established a close relationship between the islands and the mainland that endures today. Power gains over the Moors characterised the remainder of Jaume’s reign as he pushed them ever further into Andalusia.

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Barcelona

The Catalonian capital is full of quirks: a city that's noisy, bright and always in a hurry to be somewhere.

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History piled on top of history

Step out of the metro station that carries his name, slip into the streets nearby and perhaps you can imagine how Jaume’s Barcelona appeared…

The tall Roman city walls cast long shadows over the rooftops of markets, workshops and houses jumbled together and scored by narrow alleyways.

There might be the distant chant of Jewish prayer. A synogogue stands taller, its additional height permitted by Jaume. Those who come here are sometimes persecuted yet generally tolerated, though not for much longer.

Meanwhile the masons are working on the lower walls of the new cathedral. As their mallets hammer out time, they’ll be finished – two hundred years hence – right when the Catholic Kings ride into Granada and Columbus discovers the New World.

Every building screens off or builds on some already forgotten landmark. History piled on top of history. Daylight gets in between the cracks for only an hour or two each day, but at least the suffering heat does not.

Eccentrics welcome

Barcelona has had its fair share of eccentrics.

Picasso and Miró were lauded, Dalí was banned and Gaudí lambasted.

And whilst the artists all died famous and respected, the architect went almost unrecognised, run over by a tram before the city suddenly appreciated his genius.

It’s not difficult to understand Barcelona’s earlier allergic reactions. Not only did Gaudí present something completely unprecedented, he often freely mixed it with architectural styles more rigidly defined by time and example.

Sagrada Família perfectly embodies this fervent eclecticism. Still under construction today and planned rather optimistically for completion in 2026 (the centenary of Gaudi’s death), the church remains enigmatically bizarre even to modern tastes. It is nevertheless the very symbol of this city now, released from the strictures of Franco and a degraded regional economy, a time in which aesthetically anything goes.

Knowing me, knowing you

This visit did not reveal the cosy, colourful Barcelona of my imagination. That was the Barcelona of my student years, a kind of Pot Luck meets Together, open and accessible at the other end of a rainbow, by a flight I could never seem to afford – if only because the destination never existed.

Everything there was incense sticks and painted furniture. A quick-tempered latina with whom to fall in and out of love by the hours on a clock. Orwell and Hemingway smoking cigars in an empty lobby. Gossiping starlings and morning laundry, the feverish, silent repose of hot afternoons and all-night festas in a barri I could call my own.

That’s not Barcelona. That studenty, too-good-to-be-true idyll, you break up with it and of course it gets on perfectly fine without you.

The clock strikes midday on your affair with the tempestuous latina of your post-pubescent imagination. And you wake up in the thick heat with a headache and that maddening truth, the one that never comes out right: it’s not you, it’s me…