Rushmore

— Poignant and painful coming of age comedy by a director on the road to greatness.”

Growing pains at Rushmore
  • Director: Wes Anderson
  • United States, 1998
  • 3 stars out of 5

For many cinemagoers – myself included – Rushmore was a first peek inside the meticulous bazaar of Wes Anderson’s creative mind, unless of course you’d been lucky enough to stumble across a showing of Bottle Rocket two years before.

Looking back, with the benefit of The Royal Tenenbaums and The Life Aquatic With Steve Zissou as hindsight, Rushmore looks like a relatively restrained affair, but it’s a unique mind that generates this level of detail and the results evoke a child’s devotion to modelmaking.

It’s the work of a fastidious, curious mind and there’s that strange sense of real humanity which offsets a strong whiff absurdity. Rushmore is like a scale model of Anderson’s later work, with all the pieces (especially characterisation and sountrack) glueing nicely together.

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Hello you, I'm Mike Padgett. I'm not a Princeton curator, Knoxville mayoral candidate, Kentuckian pastor or Arizona journalist, I just share the same name. In fact, I am a consultant working in user experience and information design.

I also enjoy travel, concerts, films and walking.

I'm originally from Yorkshire, England but nowadays I live in Belgium. My current favourite Belgian beer is Black Albert.

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Over a year in the making, Dopeology.org is my latest personal project: a topology of doping in thirty years of European pro road cycling.

I collected information from thousands of sources, then I modelled and published it via a lightweight user interface.

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