Nanny McPhee
— Entertaining and magical handbook on child discipline. Behave yourself or the kid gets it.”

- Director: Kirk Jones
- US / UK, 2005

For children, Emma Thompson’s screenplay is a cautionary tale about the consequences of cheeking one’s elders. For adults, it’s a solid argument for the use of reverse psychology to discipline the little scamps.
Nanny McPhee is an evenly paced, brightly painted yarn whose eponymous magical heroine relies upon a frog’s whisker of CGI in comparison to the graphical gluttony of the Wizard of Seven Novels (sic).
Despite a standout performance from Thomas Sangster and the onscreen Thompson’s character-deepening tics, the real star here is the make-up. Angela Lansbury is rendered almost unrecognisable as Aunt Adelaide by an outrageous facial array, whilst the crookedly eccentric Nanny’s transformation from “something to fear” unto “someone to love” is superbly executed.
See also:
Rebel Without A Cause
Remembering the acting talent of James Dean, a legend in his own afterlife.
- Originally published: 27 Feb 2007 in Film
Who you gonna call?
Hello you, I'm Mike Padgett. I'm not a Princeton curator, Knoxville mayoral candidate, Kentuckian pastor or Arizona journalist, I just share the same name. In fact, I am a consultant working in user experience and information design.
I also enjoy travel, concerts, films and walking.
I'm originally from Yorkshire, England but nowadays I live in Belgium. My current favourite Belgian beer is Black Albert.
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Over a year in the making, Dopeology.org is my latest personal project: a topology of doping in thirty years of European pro road cycling.
I collected information from thousands of sources, then I modelled and published it via a lightweight user interface.


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