Kika

— Hair-brained, frivolous and fun. But also incredibly violent.”

Playing it for laughs: Kika
  • Director: Pedro Almodóvar
  • Spain, 1993
  • 3 stars out of 5

Déjà vu abounds in Kika, a brief return to the sort of hair-brained frivolity that characterised Women On The Verge Of A Nervous Breakdown. Parallels might also be drawn with Almodóvar’s ¡átame! (Tie Me Up! Tie Me Down!) (1990), another film in which the director treats a sexual attack on a woman with surprising humour.

At times, Kika comes across more music hall than movie, though the main plot manages to remain perfectly serious, similar in content to High Heels, as a son and his newly returned father divide up the affections of the eponymous make-up artist and the smell of murder gets increasingly strong as the father’s past unravels.

Verónica Forqué is an unusual but affable Almodóvar muse as Kika while craggy father figure Peter Coyote doesn’t quite fit in. Star turns come from the goofy-gorgeous Rossy de Palma as a yokel housemaid and Victoria Abril as an investigative journalist cum TV presenter, bravely sporting what must be one of cinema’s weirdest wardrobes.

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Hello you, I'm Mike Padgett. I'm not the Princeton curator, the US senatorial candidate, the Kentuckian pastor or the journalist from Arizona. In fact, I work as a consultant in User Experience and Information Design.

I also enjoy travel, concerts, films and walking.

I'm originally from Yorkshire, England but nowadays I live in Brussels, Belgium. My current favourite Belgian beer is Ellezelloise Hercule.

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