High Heels (Tacones Lejanos)

— A flotsam of images and emotions anchored down by solid acting.”

Gun shy: Victoria Abril in High Heels
  • Director: Pedro Almodóvar
  • Spain, 1991
  • 3 stars out of 5

The early 90s represent a busy, transitionary period for Almodóvar. And during that period, he takes on multiple muses having apparently fallen out with Carmen Maura. His two key players are Marisa Paredes and the delectable Victoria Abril, both of whom spring up here to lead this oddball of a movie.

Abril is a career-driven newsreader whose errant actress mother (Paredes) is back in town after years away. Abril has married an older man, who happens to be an old flame of Paredes. Classic Almodóvar, really.

And the films of his transitionary period can be a bit awkward – frivolity rubs up against more serious content in a typical riot of colour. Scenes between mother and daughter are superbly acted and these tend to cover up for other, weaker or more implausable moments.

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Hello you, I'm Mike Padgett. I'm not the Princeton curator, the US senatorial candidate, the Kentuckian pastor or the journalist from Arizona. In fact, I work as a consultant in User Experience and Information Design.

I also enjoy travel, concerts, films and walking.

I'm originally from Yorkshire, England but nowadays I live in Brussels, Belgium. My current favourite Belgian beer is Ellezelloise Hercule.

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