Casablanca
— Play it as many times as you want, Sam. I'll not get tired of it!”

- Director: Michael Curtiz
- United States, 1942

Casablanca needs no introduction, except maybe the first few bars of As Time Goes By. It’s a masterfully told, elliptical yarn about a difficult period and after so many decades, it’s too easy to overlook the fact that it was contemporary to those times.
Bogart’s world weary ex-pat Rick Blaine runs an upmarket club frequented by a microcosm of affluent refugees, shysters and officials. A past lover who jilted Rick in Paris arrives with her Resistance leader husband of whom Rick was hitherto unaware. Should Rick help them escape Europe or try to regain her love and elope?
A relatively small cast ensures that character development is evenly spread and the plotting is detailed without being overly elaborate. Every aspect of the production is consistently excellent. As such, we can think of Casablanca as a self-contained capsule of cinematic perfection whose longevity has stretched far beyond the era of propaganda movies.
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Pink Martini
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Who you gonna call?
Hello you, I'm Mike Padgett. I'm not a Princeton curator, Knoxville mayoral candidate, Kentuckian pastor or Arizona journalist, I just share the same name. In fact, I am a consultant working in user experience and information design.
I also enjoy travel, concerts, films and walking.
I'm originally from Yorkshire, England but nowadays I live in Belgium. My current favourite Belgian beer is Black Albert.
Shameless self-promotion
Over a year in the making, Dopeology.org is my latest personal project: a topology of doping in thirty years of European pro road cycling.
I collected information from thousands of sources, then I modelled and published it via a lightweight user interface.





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