Atonement
— This adaptation of the novel is both period piece and manipulative melodrama.”

- Director: Joe Wright
- United Kingdom, 2007

When a young girl uses a series of events to doom the romance of the housekeeper’s son and her elder sister, the course of each of their lives is changed beyond foresight. So goes the story of Atonement, an adaptation of Ian McEwan’s manipulative novel by upcoming British director Joe Wright.
Whilst the first act concentrates on the minute tensions of a pre-war country residence, the remaining drama unfolds on a much broader and more popular canvas set among the young nurses of London’s war effort and the British Expeditionary Force’s evacuation of Dunkirk.
Though our three protagonists comfortably succeed in displacing themselves to a new time and place, the film as a whole still feels unbalanced when detailed portraits are swapped for sweeping landscapes. When all is finally explained with a typical McEwan twist in the dénouement, this beautifully shot, seriously acted film rather struggles for credibility like a swan taking flight.
See also:
The Illusionist
All is not what it seems: The Illusionist conjures little enthusiasm
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Frida
Big-canvas biopic: a film full of colours that’s let down by a watery script.
- Originally published: 15 Aug 2007 in Film
In Bruges
Possibly the finest black comedy of the decade. F**king Bruges!
- Originally published: 21 Apr 2008 in Film
The Lives of Others (Das Leben der Anderen)
The walls have ears: a painful look at the methods of the former East German regime shines a light on the darkness.
- Originally published: 11 Oct 2007 in Film
Zwartboek (Black Book)
Black is back: a welcome return to form for Verhoeven.
- Originally published: 26 Jan 2007 in Film
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