Buena Vista Social Club presents (2007 Tour)

In my second year at University, among others I shared the house at 69 Harcourt Road with Bing, a Maths undergraduate of a certain culture who ate a lot of tinned salmon.

Bing and I both frequented the Showroom Cinema opposite the railway station. One day he returned from one particular screening raving about what he’d seen and insisting I get down there sharpish and catch it.

L to R: Manuel Galbán, Orlando Cachaíto López, Jesús 'Aguaje' Ramos, Guajiro Mirabal

That was the first run of Wim Wenders’ Oscar-nominated documentary Buena Vista Social Club and I didn’t catch it. Nor did I catch the second run.

It would be eight years more before I finally picked up the original World Circuit album and inevitably a number of those ageing musicians had passed on: Compay Segundo, Ibrahim Ferrer, Pio Leyva, Ruben Gonzalez, Manuel Puntillita Licea.

Four of the original members are currently on tour in the United Kingdom. All of the dates I’ve seen advertised are sold out.

This time I was not prepared to miss out so easily and I booked the tickets three months in advance. It was more than worth the wait, and those four original Buena Vista members (Manuel Galbán, Orlando Cachaíto López, Jesús ‘Aguaje’ Ramos, Guajiro Mirabal) were joined by a fifth, namely nimble-fingered laoud player Barbarito Torres.

Orlando 'Cachaíto' López Manuel 'Guajiro' Mirabal Jesus 'Aguaje' Ramos

Barbarito Torres Manuel Galbán

The venerable greats were joined by members of an emerging younger generation. Pianist Ronaldo Luna evoked memories of Gonzalez’ beautiful solos. Following in Ferrer’s footsteps came Carlos Calunga, whose extraordinary vocal range was ably backed by Idania Valdès, the daughter of original Social Clubber Amadito.

The set list included elements of son montunos, danzón, cha cha cha, boleros and Cuban jazz. Alongside Social Club favourites such as Candela and Dos Gardenias, there was a lively rendition of Chanchullo and even a tender Somewhere Over The Rainbow, providing a beautiful contrast to the more raucous numbers.

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